Although used previously to refer to a group of nomadic craftsmen, presently the term ‘Dhokra’ is essentially applied to a wide range of handcrafted decorated brassware products created by the ‘lost wax process of metal casting. Acknowledged as the earliest known method of non-ferrous metal casting known to mankind, this folk art originated in the heartlands of West Bengal almost 3500 years ago and is done by the traditional metalsmiths, ‘The Dhokra Damar Tribes’. Artisans these days create various figurines and models of gods, goddesses, animals, birds, carts, and even jewelry.
The Dokra art uses the ‘lost-wax process’ to form brass models. A replica of the desired product is first made with wax over a clay core and upon which the finer details of designs and decorations are then delicately crafted. Thereafter another layer of soft clay is applied to cover the entire model. After sun drying, molten brass is poured through a small hole which melts away the wax with the molten brass filling up space. Finally, after cooling and with the removal of the outer clay layer, the exquisite work of art emerges and its unpolished look is kept intact. No external chemical polish is applied on the same. Unlike the craft which is available with shiny polish, our collections are rooted in their original look.
Material Dokra
Dimension (H x L x D) (inches) 6 x 4 x 8
LIMITED STOCK
Although used previously to refer to a group of nomadic craftsmen, presently the term ‘Dhokra’ is essentially applied to a wide range of handcrafted decorated brassware products created by the ‘lost wax process of metal casting. Acknowledged as the earliest known method of non-ferrous metal casting known to mankind, this folk art originated in the heartlands of West Bengal almost 3500 years ago and is done by the traditional metalsmiths, ‘The Dhokra Damar Tribes’. Artisans these days create various figurines and models of gods, goddesses, animals, birds, carts, and even jewelry.
The Dokra art uses the ‘lost-wax process’ to form brass models. A replica of the desired product is first made with wax over a clay core and upon which the finer details of designs and decorations are then delicately crafted. Thereafter another layer of soft clay is applied to cover the entire model. After sun drying, molten brass is poured through a small hole which melts away the wax with the molten brass filling up space. Finally, after cooling and with the removal of the outer clay layer, the exquisite work of art emerges and its unpolished look is kept intact. No external chemical polish is applied on the same. Unlike the craft which is available with shiny polish, our collections are rooted in their original look.
This particular artifact depicts a man pulling a hand rickshaw along with two people sitting on it.
Although used previously to refer to a group of nomadic craftsmen, presently the term ‘Dhokra’ is essentially applied to a wide range of handcrafted decorated brassware products created by the ‘lost wax process of metal casting. Acknowledged as the earliest known method of non-ferrous metal casting known to mankind, this folk art originated in the heartlands of West Bengal almost 3500 years ago and is done by the traditional metalsmiths, ‘The Dhokra Damar Tribes’. Artisans these days create various figurines and models of gods, goddesses, animals, birds, carts, and even jewelry.
The Dokra art uses the ‘lost-wax process’ to form brass models. A replica of the desired product is first made with wax over a clay core and upon which the finer details of designs and decorations are then delicately crafted. Thereafter another layer of soft clay is applied to cover the entire model. After sun drying, molten brass is poured through a small hole which melts away the wax with the molten brass filling up space. Finally, after cooling and with the removal of the outer clay layer, the exquisite work of art emerges and its unpolished look is kept intact. No external chemical polish is applied on the same. Unlike the craft which is available with shiny polish, our collections are rooted in their original look.
This particular figurine depicts the Indian deity Goddess Saraswati’ in her full form and glory.
Although used previously to refer to a group of nomadic craftsmen, presently the term ‘Dhokra’ is essentially applied to a wide range of handcrafted decorated brassware products created by the ‘lost wax process of metal casting. Acknowledged as the earliest known method of non-ferrous metal casting known to mankind, this folk art originated in the heartlands of West Bengal almost 3500 years ago and is done by the traditional metalsmiths, ‘The Dhokra Damar Tribes’. Artisans these days create various figurines and models of gods, goddesses, animals, birds, carts, and even jewelry.
The Dokra art uses the ‘lost-wax process’ to form brass models. A replica of the desired product is first made with wax over a clay core and upon which the finer details of designs and decorations are then delicately crafted. Thereafter another layer of soft clay is applied to cover the entire model. After sun drying, molten brass is poured through a small hole which melts away the wax with the molten brass filling up space. Finally, after cooling and with the removal of the outer clay layer, the exquisite work of art emerges and its unpolished look is kept intact. No external chemical polish is applied on the same. Unlike the craft which is available with shiny polish, our collections are rooted in their original look.
Although used previously to refer to a group of nomadic craftsmen, presently the term ‘Dhokra’ is essentially applied to a wide range of handcrafted decorated brassware products created by the ‘lost wax process of metal casting. Acknowledged as the earliest known method of non-ferrous metal casting known to mankind, this folk art originated in the heartlands of West Bengal almost 3500 years ago and is done by the traditional metalsmiths, ‘The Dhokra Damar Tribes’. Artisans these days create various figurines and models of gods, goddesses, animals, birds, carts, and even jewelry.
The Dokra art uses the ‘lost-wax process’ to form brass models. A replica of the desired product is first made with wax over a clay core and upon which the finer details of designs and decorations are then delicately crafted. Thereafter another layer of soft clay is applied to cover the entire model. After sun drying, molten brass is poured through a small hole which melts away the wax with the molten brass filling up space. Finally, after cooling and with the removal of the outer clay layer, the exquisite work of art emerges and its unpolished look is kept intact. No external chemical polish is applied on the same. Unlike the craft which is available with shiny polish, our collections are rooted in their original look.
Although used previously to refer to a group of nomadic craftsmen, presently the term ‘Dhokra’ is essentially applied to a wide range of handcrafted decorated brassware products created by the ‘lost wax process of metal casting. Acknowledged as the earliest known method of non-ferrous metal casting known to mankind, this folk art originated in the heartlands of West Bengal almost 3500 years ago and is done by the traditional metalsmiths, ‘The Dhokra Damar Tribes’. Artisans these days create various figurines and models of gods, goddesses, animals, birds, carts, and even jewelry.
The Dokra art uses the ‘lost-wax process’ to form brass models. A replica of the desired product is first made with wax over a clay core and upon which the finer details of designs and decorations are then delicately crafted. Thereafter another layer of soft clay is applied to cover the entire model. After sun drying, molten brass is poured through a small hole which melts away the wax with the molten brass filling up space. Finally, after cooling and with the removal of the outer clay layer, the exquisite work of art emerges and its unpolished look is kept intact. No external chemical polish is applied on the same. Unlike the craft which is available with shiny polish, our collections are rooted in their original look.
Although used previously to refer to a group of nomadic craftsmen, presently the term ‘Dhokra’ is essentially applied to a wide range of handcrafted decorated brassware products created by the ‘lost wax process of metal casting. Acknowledged as the earliest known method of non-ferrous metal casting known to mankind, this folk art originated in the heartlands of West Bengal almost 3500 years ago and is done by the traditional metalsmiths, ‘The Dhokra Damar Tribes’. Artisans these days create various figurines and models of gods, goddesses, animals, birds, carts, and even jewelry.
The Dokra art uses the ‘lost-wax process’ to form brass models. A replica of the desired product is first made with wax over a clay core and upon which the finer details of designs and decorations are then delicately crafted. Thereafter another layer of soft clay is applied to cover the entire model. After sun drying, molten brass is poured through a small hole which melts away the wax with the molten brass filling up space. Finally, after cooling and with the removal of the outer clay layer, the exquisite work of art emerges and its unpolished look is kept intact. No external chemical polish is applied on the same. Unlike the craft which is available with shiny polish, our collections are rooted in their original look.
This figurine showcases an Ek-Chala Standing Durga Idol.
Celebrate the spirit of Shakti with this exquisite Durga Chhau Mask from Purulia, West Bengal. Crafted by traditional artisans, the mask features goddess Durga’s intense expression framed with golden foils and vibrant embellishments — perfect for worship, décor, or cultural gifting.
Highlights:
Art Form: Authentic Purulia Chhau Mask
Depiction: Goddess Durga with powerful, expressive eyes
Headgear: Gold foil detailing with orange beaded motif
Uses: Home temple, wall décor, spiritual gifts, folk art collectors
Specifications:
Material: Handmade with paper pulp, golden foil, and acrylic paint
Make a bold cultural statement with this handcrafted necklace featuring a striking Durga face and Trishul motif on a vibrant pink backdrop, accented with leaf-inspired beads and fabric elements.
Highlights:
Material: Handcrafted fabric base, terracotta beads, oxidized metal pendant and jhumka
Design: Intricate Durga Trishul motif with symbolic lettering
classic Madhubani artistry on a radiant green silk base. Featuring intricate hand-painted motifs framed in geometric borders, this piece is both a celebration of culture and a statement of style.
Highlights:
Lush green silk with handpainted Madhubani art
Vibrant geometric and floral motifs in natural tones
Elevate your wardrobe with this Handpainted Pure Cotton Dupatta, showcasing traditional geometric and folk motifs in earthy red and black tones. Crafted on soft, breathable cotton, this Dupatta offers a graceful blend of culture and comfort, perfect for both casual and festive occasions.
Highlights:
Authentic handpainted Madhubani artwork
Geometric, fish, and peacock motifs in tribal style